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DIALOGUES

A unique opportunity to explore the creative and technical processes of filmmaking and composing for screen through collaboration.

DIALOGUES brought together 12 composers and 12 filmmakers and moving-image makers from across Ireland and beyond for an expanded residency exploring the relationship between moving image, music and sound. Delivered jointly by Dumbworld and the Regional Cultural Centre (RCC), Letterkenny, the programme supported 24 early-career creatives to collaborate on the creation of new short films and original scores.

Developed from the NI Film Scoring School and building on two successful years at Ulster University, Derry/Londonderry, the programme evolved into a dynamic, cross-disciplinary exchange open to artists from a wide range of backgrounds. Moving-image participants brought perspectives from theatre, visual art, music, dance and literature, with no previous filmmaking experience required. The composition strand welcomed music-makers at different stages of their practice, from classically trained composers to self-taught artists.

Delivered across Ballycastle, Belfast, Derry/Londonderry and Letterkenny, the programme took place over June and July 2026. Working across two connected strands, participants developed moving-image projects, gathered footage and shaped ideas before composers responded to the emerging works with original scores. The process combined independent creative development with shared sessions, conversation and collaboration, encouraging participants to explore new approaches to working across disciplines.

At the heart of DIALOGUES was a commitment to experimentation. Rather than prioritising perfection, the residency created space to test ideas, take creative risks and discover new ways of working, both together and independently. Participants benefited from mentoring, masterclasses, industry insight and dedicated time to develop their practice, with an emphasis on creative exchange, accessibility and the value of different perspectives.

The programme culminated in a live recording session with Hard Rain SoloistEnsemble, which supported the residency as Ensemble-in-Residence, followed by a public presentation of the completed films and scores at the Regional Cultural Centre in Letterkenny.

 

Keep reading for details on application process…

Criteria to think about when applying:

Age Open to anyone over 18. We expect the majority of participants to be aged 18–35, from Letterkenny, Derry, Belfast, and rural surrounds across Northern Ireland and the Republic of Ireland.

Musical / Filmmaking Proficiency No formal qualifications are required. Applicants should possess some music theory and composition skills, or some experience in filming, and/or editing. This can be demonstrated through previous training, experience, or portfolio submissions.

Creativity and Innovation We seek applicants who are creative thinkers and willing to push the boundaries of traditional approaches to scoring and filmmaking. Applicants should demonstrate an ability to think innovatively and experiment with new ideas.

Collaborative Spirit The ability to work effectively in a collaborative environment is essential. Applicants should demonstrate strong communication skills and a willingness to work alongside fellow participants and industry professionals.

Knowledge of Software Applicants should have some familiarity with at least one music composition or filmmaking software package such as Sibelius, Logic, Premiere Pro, CapCut or similar.

Professional Aspirations While prior experience in film scoring or filmmaking is not required, applicants should have a clear interest in pursuing a career in music composition, filmmaking, or other visual media.

Commitment to Attendance Applicants must commit to the full duration of their strand of the programme and actively participate in all scheduled activities, workshops, and collaborative projects.

Note on fees:

This is the first year we’ve run a dedicated filmmaker strand. Because the programme spans multiple locations, we’ve kept the fee as accessible as possible while being honest about the travel commitment involved. We’re grateful in your understanding as we build something new.

Note on bursaries:

We acknowledge that financial constraints can pose challenges to accessing opportunities like this. We’re offering 1 – 2 bursaries per strand for those who need support. The bursary will cover the course fee. Bursary applications are treated in confidence. You’ll be asked to indicate if financial support is needed during the application process. Thanks to Contemporary Music Centre, Dublin for the provision of 1 bursary.

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For General Enquires or Partnerships please email [email protected]

 

Funded by Shared Island, Civic Society Fund

In partnership with

Being able to try out new ideas in such a supportive and non-judgemental environment has helped me feel more confident, and I thoroughly enjoyed getting to know the other participants on the course.

I came back from the week buzzing and exploding with ideas of new ways to create music and how to be a composer. The week let me see the many ways in which someone can approach writing a film score and how the roles music/sound play are nearly just as important as the script, essentially letting me revalue music in a new way.

This was a wonderful, enriching opportunity, with tuition and mentorship from the best of professionals from our NI music and film industry, which is impressive. The level of care and nurture created by all involved enabled a very safe environment for us to explore our ideas.

Lead Mentors:

Brian Irvine

John McIlduff

Adam Melvin

 

Visiting Professionals (2026):

DIE HEXEN — IFTA- and Sitges award-winning composer and sound artist — mentored participants in score composition and sound design, drawing on work including Fréwaka and Video Nasty.

David Holmes — Belfast-born DJ, producer and BAFTA- and Ivor Novello-winning film composer — provided mentorship in music production and soundtrack composition. His screen credits include collaborations with Steven Soderbergh and the television series Killing Eve.

Michael Keeney — Donegal-born composer and producer, and two-time UK Music Producers Guild Award winner — supported participants in orchestral scoring and production for television and film, drawing on credits across Disney, HBO, Netflix and the BBC.

Eímear Noone — award-winning film and video game composer and conductor, known for her work on World of Warcraft — mentored participants in composition and orchestral conducting.

Stuart Sloan — Head Programmer at Docs Ireland and documentary editor — shared expertise in documentary editing, programming and the wider documentary landscape.

Ross McClean — Belfast-based filmmaker and DocNomads graduate — mentored participants in documentary filmmaking and the development of screen-based stories.

Myrid Carten — filmmaker whose work includes A Want in Her, with IFTA and BAFTA recognition — supported participants in documentary and fiction filmmaking.

Alessandra Celesia — documentary director of The Flats, a CPH winner — provided mentorship in documentary direction and creative approaches to non-fiction storytelling.

 

Visiting Professionals (2025):

Hannah Peel

Michael Keeney

Die Hexen

David Holmes

 

Visiting Professionals (2024):

David Holmes

Alessandra Celesia

John McIlduff

Michael Keeney

Myrid Carten

Stephen Coulter

Declan Keeney

 

Live Ensemble:

Hard Rain Soloist Ensemble